Home / Articles / Adobe Photoshop / Masks and Channels in Adobe Photoshop CS6

Masks and Channels in Adobe Photoshop CS6

Article Description

Learn how to create a mask to remove a subject from a background, refine a mask to include complex edges, create a quick mask to make changes to a selected area, edit a mask using the Properties panel, manipulate an image using Puppet Warp, save a selection as an alpha channel, view a mask using the Channels panel, load a channel as a selection, isolate a channel to make specific image changes.

From the book

Adobe Photoshop CS6 Classroom in a Book

Adobe Photoshop CS6 Classroom in a Book

$43.99 (Save 20%)

Working with channels

Working with channels

Just as different information in an image is stored on different layers, channels also let you access specific kinds of information. Alpha channels store selections as grayscale images. Color information channels store information about each color in an image; for example, an RGB image automatically has red, green, blue, and composite channels.

To avoid confusing channels and layers, think of channels as containing an image’s color and selection information; think of layers as containing painting and effects.

You’ll use an alpha channel to create a shadow for the model. Then, you’ll convert the image to CMYK mode and use the Black channel to add color highlights to the hair.

Using an alpha channel to create a shadow

You’ve already created a mask of the model. To create a shadow, you want to essentially duplicate that mask and then shift it. You’ll use an alpha channel to make that possible.

  1. In the Layers panel, Ctrl-click (Windows) or Command-click (Mac OS) the layer icon in the Model layer. The masked area is selected.
  2. Choose Select > Save Selection. In the Save Selection dialog box, make sure New is chosen in the Channel menu. Then name the channel Model Outline, and click OK.
  3. Nothing changes in the Layers panel or in the image window. However, a new channel named Model Outline has been added to the Channels panel.

  4. Click the Create A New Layer icon at the bottom of the Layers panel. Drag the new layer below the Model layer. Then double-click its name, and rename it Shadow.
  5. With the Shadow layer selected, choose Select > Refine Edge. In the Refine Edge dialog box, move the Shift Edge slider to +36%. Then click OK.
  6. Choose Edit > Fill. In the Fill dialog box, choose Black from the Use menu, and then click OK.
  7. The Shadow layer displays a filled-in black outline of the model. Shadows aren’t usually as dark as the person that casts them. You’ll reduce the layer opacity.

  8. In the Layers panel, change the layer opacity to 30%.
  9. The shadow is in exactly the same position as the model, where it can’t be seen. You’ll shift it.

  10. Choose Select > Deselect to remove the selection.
  11. Choose Edit > Transform > Skew. Rotate the shadow by hand, or enter -15° in the Rotate field in the options bar. Then drag the shadow to the left, or enter 845 in the X field in the options bar. Click the Commit Transform button (Image) in the options bar, or press Enter or Return, to accept the transformation.
  12. Choose File > Save to save your work so far.

Adjusting an individual channel

You’re almost done with the magazine cover image. All that remains is to add color highlights to the model’s hair. You’ll convert the image to CMYK mode so you can take advantage of the Black channel to do just that.

  1. Select the Model layer in the Layers panel.
  2. Choose Image > Mode > CMYK Color. Click Don’t Merge in the dialog box that appears, because you want to keep your layers intact. Click OK if you’re prompted about color profiles.
  3. Alt-click (Windows) or Option-click (Mac OS) the visibility icon for the Model layer to hide the other layers.
  4. Select the Channels tab. In the Channels panel, select the Black channel. Then choose Duplicate Channel from the Channels panel menu. Name the channel Hair, and click OK.
  5. Individual channels appear in grayscale. If more than one channel is visible in the Channels panel, the channels appear in color.

  6. Make the Hair channel visible, and hide the Black channel. Then select the Hair channel, and choose Image > Adjustments > Levels.
  7. In the Levels dialog box, adjust the levels to move Black to 85, Midtones to 1, and White to 165. Click OK.
  8. With the Hair channel still selected, choose Image > Adjustments > Invert. The channel appears white against a black background.
  9. Select the Brush tool, and click the Switch Foreground And Background Colors icon in the Tools panel to make the Foreground color black. Then paint over the glasses, eyes, and anything in the channel that isn’t hair.
  10. Click the Load Channel As Selection icon at the bottom of the Channels panel.
  11. Select the Layers tab. In the Layers panel, select the Model layer.
  12. Choose Select > Refine Edge. In the Refine Edge dialog box, move the Feather slider to 1.2 px, and then click OK.
  13. Choose Image > Adjustments > Hue/Saturation. Select Colorize, and then move the sliders as follows, and click OK:
    • Hue: 230
    • Saturation: 56
    • Lightness: 11
  14. Choose Image > Adjustments > Levels. In the Levels dialog box, move the sliders so that the Black slider is positioned where the blacks peak, the White slider where the whites peak, and the Midtones in between. Then click OK. We used the values 58, 1.65, 255, but your values may vary.
  15. In the Layers panel, make the Shadow and Magazine Background layers visible.
  16. Choose Select > Deselect.
  17. Choose File > Save.

Your magazine cover is ready to go!

Image